Haydn/ Chang/ Stankovsky - Piano Concertos 4, 7, 9 & 11The Concerto in G major, Hob. XVIII: 4, comes from a later period, scored for harpsichord or forte piano and strings with pairs of oboes and horns as required. It was written by 1781 and in spite of it's undoubted authenticity fell under suspicion from contemporary critics, since the name of Haydn was now being used unscrupulously by ambitious publishers and promoters. It has been suggested that this concerto, a work of obvious charm, was written for

Victor Staub (1872-1953) and Lazare-Lévy (1882-1964) were both students of Louis Diémer at the Paris Conservatoire in the latter part of the 19th century and both were to follow in his footsteps as great teachers in that institution and elsewhere

Their 12-track debut electronic music album

Together with famous arias from renowned operas she performs some rare and neglected works

and a tambourine shake finish

reflective Durutti Column album

including displays of his signature rapid thirds in both hands

The performers here are of the top flight

whilst the second disc features sacred instrumental and vocal music written for St

Despite this busy activity

who deliver their fourth album Expansions and Visions

Originally released in 1978

gently urges you to move on to the next challenge